The Sweet Talkers Break Out with “Electric Affair”

Oklahoma City band The Sweet Talkers released their debut EP, Electric Affair, today, May 31st. It was recorded with Johnny Manchild, who will be making an appearance to play keys for one of the songs at their next performance. The band describes themselves as Alt-Rock and New Wave with influences from The Killers, New Order, and Joy Division.

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Interview with VanRiss

During the Mayfest festival, I was able to ask singer/songwriter, VanRiss (Jonathan Van Risseghem), a few questions after his set.

How long have you been making music?

I made my first album, released it in 2009. Spent all 2008 writing and recording it. So, ten years I guess.

What made you decide you wanted to do music?

I still remember the first day when I was 8 years old and wrote my first song. I have always liked art of any kind and music just really, no pun intended, just struck a chord with me. From there on, that was my central passion in life. I’ve been doing it ever since. My first song was a really high quality christian-rap song, so I have come a long way from then.

Is this your first project that you actually released music from?

I had a band in high school. I wasn’t the singer, I was kinda writing the songs and letting someone else do it. He didn’t show up for studio session and out of angst, I just started singing on the songs and I went home and played it for some people. ‘I did this. Spite this guy,’ and people were like ‘I actually think you are pretty good, I think you should keep doing this.’ That was my segue from being a guitar player in a local band to writing and recording my own stuff, so it was an interesting process. Happy accident. 

You played a song that wasn’t on either of your already released albums. Are there plans to release it?

There are plans to release it this fall. It is called “Chandelier Tree.” There is this really cool tree near the Silver Lake/Los Angeles area that has a ton of chandelier trees in it, literally a chandelier tree. I was playing some shows in Los Angels and my wife and I had just had our newborn, she was four or five months old, and we had a little bit of time afterwards and it was our first sandwiched in little moment of time together for the first time in a few months of sleeplessness so I wrote a song about it.

Where can they find you?

All the links are on

Cavern Company’s “So This Is Happiness” is Emotional and Optimistic

On May 11th, Cavern Company released their latest EP, So This Is Happiness. The EP consists of five songs – three of which were remastered versions of singles released in 2018 – that journey to the heart of happiness.

The first song, “Falling,” does its best to pump up the listener. The opening of the song swims in optimism, dance elements beginning early. The point is to get the listener ready for the rest of the EP; “Falling” is a preview for the following songs. The repeated, “We’re not ready, but we’ve already started,” puts them ahead of the usual climb, showing them skipping past the usual acclimation period of an album and jumping straight into the good part.

The song discusses not being ready to fall in love but also not really being given a choice. Instead of fighting it, however, the person dives in with the mentality of “it’s already happening, so there’s not stopping it.”

The next track continues with that positivity. “Enough?” can be completely explained by one line found in the third verse: “I keep on breathing for now, I keep on breathing for now.” The song describes breaking free by living one day at a time.

“God Willing” follows the two dance-heavy songs with a more crooning ballad. While it isn’t necessarily a slow song, it does introduce a heavier theme. “God Willing” is absolute emotion; it’s an apology for not treating a past love as well as they should have. However, keeping in theme with happiness and positivity, the song becomes a reflection that ultimately leads to moving on.

Instead of jumping back into the quick paced, dance-y songs that the EP opened with, “Rising Tide” is placed strategically to ease the listener out of the reverie “God Willing” placed them in. It goes straight into the final song, “Body Language.”

After all of the optimism in the other songs, the promotion of staying positive, “Body Language” brings the listener back down to Earth. The song is a call for honesty. “Now you’re doing fine; body language tells me otherwise,” shows them calling out the other songs for claiming this new happy life when there are other darker tones to them. The chorus consists of the singer promising not to let them hide behind false positivity.

So This Is Happiness is an EP that shows a progression towards happiness. It encourages optimism while assuring that it is okay not to be happy yet. Combining pop-infused rock with dance elements and clear vocals, Cavern Company provides a perfect melody that speaks just as loud as the lyrics.

Check out Cavern Company on all social media and music streaming sites. Be sure to listen to So This Is Happiness.

The Odyssey Talks “Lately”

Shortly after celebrating their single, “Love You Back” reaching 50k streams, The Odyssey released their newest single, “Lately”. In a brief interview, the band’s Cobey Brown discussed the song.

When describing the song, Brown claimed it was “interpretable”. The song is supposed to be about liking someone but not having the confidence to go after them. However, when recording it, Brown began to change it slightly to have an alternate meaning.

“When I wrote it, it was about an experience I hadn’t had,” he explained. “As we recorded the song, I actually had it.”

Going through the actual experience made him want to incorporate the emotions he felt. So, a double meaning was added; instead of just simply telling a story about a girl, he tries to portray what people show the world versus what they feel inside.

When listening to the song, you can hear this.

The beginning introduces the problem. He feels his “confidence shaking” as he tries to get close to this girl. Yet, at the same time, the song describes the turmoil of emotions spinning inside while he acts like everything is fine on the outside.

Every moment of the song is a big one. The lyrics are powerful and relatable; the melody is catchy and fitting. This apparently was the plan; Brown shared his goal with me of making every fifteen seconds contain something memorable.

The point of doing that is so people can listen to the entirety of the song. Instead of listening for one line or one piece of instrumental or even for just the chorus, he wants people to enjoy every moment of the song.

With “Lately,” I would say he accomplished exactly that. The song is one to be played on repeat; you won’t be able to just listen to it once.

Listen to “Lately” on all music streaming sites and make sure to follow The Odyssey on all social media to keep up with upcoming events.